The Satanic Archive: Welcome to the private vault of forbidden vision.
Within this chamber, members gain access to carefully curated documentaries and rare footage exploring Satanism, Witchcraft, Occult Traditions, and the cultural hysteria of the 1980s Satanic Panic. This archive exists to illuminate what was distorted, reclaim what was feared, and preserve the hidden record of the Adversarial Current. Enter with discernment.
Left Hand Path Classics: Satanis,
Anton Lavey (English HQ)
Satanis: The Devil’s Mass: Satanis: The Devil’s Mass (1970) is a documentary directed by Ray Laurent that offers a rare early look at Anton LaVey and the Church of Satan during the height of public fascination with modern Satanism.
Filmed in a cinéma vérité style, the documentary captures rituals, interviews, and media appearances, presenting LaVey’s philosophy of individualism, theatrical ritual, and symbolic Satanism. It also reflects the cultural atmosphere of late-1960s America, when occult imagery, counterculture movements, and moral anxiety intersected in the public imagination.
Rather than sensationalizing, the film functions as a time capsule -documenting how Satanism was presented, perceived, and debated at the dawn of its modern public expression.
Left Hand Path Classics: Satanis,
Anton Lavey (Spanish/Español HQ)
Satanis: The Devil’s Mass: Satanis: The Devil’s Mass (1970) es un documental dirigido por Ray Laurent que ofrece una mirada poco común y temprana a Anton LaVey y a la Church of Satan en el auge del interés público por el satanismo moderno.
Filmado en estilo cinéma vérité, el documental muestra rituales, entrevistas y apariciones mediáticas, presentando la filosofía de LaVey basada en el individualismo, el ritual teatral y el satanismo simbólico. Asimismo, refleja el clima cultural de finales de la década de 1960, cuando la imaginería ocultista, los movimientos contraculturales y la ansiedad moral se entrelazaban en la imaginación colectiva.
Más que sensacionalista, la película funciona como una cápsula del tiempo, documentando cómo el satanismo fue presentado, percibido y debatido en los inicios de su expresión pública moderna.
Left Hand Path Classics: Speak Of The Devil,
Anton Lavey (English HQ)
Speak Of The Devil: Speak of the Devil (1995), directed by Nick Bougas and released in 1993 through Wavelength Video, is an intimate documentary portrait of Church of Satan founder Anton LaVey during the later years of his life. Unlike earlier films that emphasized spectacle and media controversy, this documentary adopts a more personal and reflective tone.
The film features extended interviews, archival material, and informal moments, allowing LaVey to articulate his philosophy in his own words. He discusses Satanism as a system of radical individualism, self-determination, and symbolic rebellion, while also offering commentary on society, religion, and human nature.
It contains footage of LaVey including interviews and performances, a tour of his San Francisco home, known as “The Black House”, and a look into his ritual chamber, musick room, library, and the personal retreat he called the “Den of Iniquity”.
Rather than sensationalizing its subject, Speak of the Devil serves as a historical and biographical record, preserving the voice, demeanor, and worldview of one of the most influential figures in modern Satanism.
Left Hand Path Classics: On The Joe Pyne Show,
Anton Lavey (English HQ)
1970: LaVey consents to appear on Joe Pyne’s Hot Seat Radio show, during which LaVey is treated to Pyne’s unusually caustic tongue. That “interviewer” (Joe Pyne) is disrespectful, condescending, and totally unprofessional. He might learn something if he listened and asked probing questions rather than mocking and being rude. Joe Pyne died from Lung Cancer within a few months of having LaVey on his show." *Read: The Secret Life Of A Satanist by Blanche Barton; chapter ‘Curses & Coincidences’.
And the same went for Lou Gordon the previous year. Lex Talionis.
Satanic Statement #5: “Satan represents vengeance, instead of turning the other cheek!” · The Satanic Bible, Anton S. Lavey.
Left Hand Path Classics: First Family Of Satanism (Bob Larson´s Show),
Zeena Lavey & Nikolas Schreck (English HQ)
First Family Of Satanism, Zeena Lavey & Nikolas Schreck at Bob Larson´s Show: Interview with the “First Family of Satan”, with the daughter of Anton LaVey, Zeena Lavey and her husband Nikolas Schreck. Interview by Bob Larson… Judge for yourself.
Left Hand Path Classics: The Last Interview,
Anton Lavey (English HQ)
Anton Lavey, The Last Interview: The last interview with Anton LaVey before he died.
Left Hand Path Classics: Religious Perspectives,
Temple Of Set (English/Español/Spanish HQ)
Religious Perspectives, Temple Of Set: The present video published from a real show recorded in 1992, whose format was to center of Christian stereotypes in the christian priest, an actor who would be in charge of asking curious questions based on that paradigm; probably a response to the “satanic panic” propagated by cunning evangelist-merchants in the 80s and mid-90s. While part of the program was prepared, it was not the guest’s responses, whose contributions remained unedited. Oz Tech was the pseudonym of Patricia Hardy, current High Priestess of the Temple of Set.
El presente vídeo proviene de un programa de cable real grabado en 1992, cuyo formato era centrar los estereotipos cristianos en el presentador, un actor que se encargaría de hacer curiosas preguntas basadas en ese paradigma; probablemente una respuesta al “pánico satánico” propagado por astutos evangelistas-mercaderes en los 80’s y mediados de los 90’s. Si bien, parte del programa era preparado, no lo fueron las respuestas de la invitada, cuyos aportes se mantuvieron sin editar. Oz Tech fue el seudónimo de Patricia Hardy, actual Suma Sacerdotisa del Templo de Set.
Left Hand Path Classics: Showdown With Satanism 1997 (Bob Larson´s Show),
Zeena Lavey & Nikolas Schreck (English HQ)
Showdown With Satanism (1997) Zeena Schreck & Nikolas Schreck on Bob Larson’s Show: In 1997, televangelist and self-styled cult expert Bob Larson hosted what he framed as a confrontational exposé titled Showdown With Satanism. The guests were Zeena Schreck (formerly Zeena LaVey), daughter of Anton LaVey, and her husband Nikolas Schreck. By that time, both had long distanced themselves from the Church of Satan and were associated with the esoteric current of the Temple of Set -a distinction Larson showed little interest in clarifying for his audience.
Filmed before a live crowd at the Anchorage Baptist Temple, the program followed the familiar structure of Larson’s format: adversarial framing, charged language, and repeated use of the word “Satanism” regardless of the guests’ own self-identification. According to documentation later published at nikolasschreck.eu, Larson insisted on marketing the broadcast under the “S word” despite the Schrecks’ objections, prioritizing sensational appeal over theological precision.
The dynamic is revealing. Larson oscillates between moments of apparent sincerity and overt showmanship, often interrupting responses mid-sentence. While billed as a debate, the exchange rarely matures into philosophical dialogue. To a critical viewer, the imbalance is evident: the host controls pacing and narrative framing, while Zeena and Nikolas respond with measured composure, even when consistently cut off. Whether one agrees with them or not, their patience is notable.
A telling anecdote occurred before filming. When Larson booked Zeena’s flight to Alaska under the name “Zeena LaVey,” she refused to board until the ticket was reissued under her legal name, Zeena Schreck. She made clear she would no longer appear publicly under her father’s surname, stating that she had placed a malediction upon the LaVey name and legacy years earlier and would not operate magically or publicly under it. Larson complied and changed the ticket.
During conversations surrounding the production, Zeena reportedly mentioned -outside her close circle for the first time- her curse against LaVey and his legacy. Only one month after the filming, Anton LaVey died, seven years to the day after the sealing of her written malediction in 1990. When news of his death broke, Larson invited Zeena onto his nationally broadcast radio show and confirmed that she had alluded during the taping to her father’s impending death. For some viewers, this became a footnote of eerie coincidence; for others, a testament to the power of symbolic timing within occult practice.
Within the broadcast itself, there are moments worth noting. Between 24:08 and 24:30, a surprisingly lighthearted exchange cuts through the tension. Audience questions begin at 39:58, shifting the tone from staged confrontation to spontaneous inquiry. One particularly substantive question arises at 44:10, directed to Zeena: “You said your baptism was to celebrate life; who do you think gave you that life?” The audience reacts with audible approval, lending the atmosphere a carnival-like fervor, yet the questioner herself appears sincere. The theological presupposition embedded in the word “who” -implying a personal creator- underscores the doctrinal divide at the heart of the exchange and gives Zeena space to articulate her view of creation beyond anthropomorphic theism.
Viewed today, Showdown With Satanism functions less as a rigorous debate and more as a cultural artifact of late-1990s religious media. It captures the lingering aftershocks of the Satanic Panic era and the commercial appetite for confrontation. Larson performs for his constituency; the Schrecks endure the framing while attempting to clarify their philosophical stance.
One need not take sides to recognize the underlying tension: when a moderator approaches dialogue with a fixed agenda, genuine exchange becomes secondary to spectacle. The result is both entertaining and frustrating -a study in how ideology, media strategy, and personality intersect on the public stage of religion and the Left Hand Path. Judge for yourself.
Left Hand Path Classics: Lilith´s Cavern Reading,
Thomas Karlsson (English / Spanish HQ)
Lilith’s Cavern Reading, Thomas Karlsson: This edition of Left Hand Path Classics presents a rare reading of Lilith’s Cavern by Thomas Karlsson, one of the most influential contemporary figures in Draconian and Qliphothic esotericism. Delivered in high-quality English and Spanish, the recording offers insight into Karlsson’s synthesis of academic rigor and initiatory praxis -a hallmark of his life’s work.
Born in 1972, Karlsson holds a PhD in the History of Religions from Stockholm University, where in 2007 he initiated Sweden’s first university course in Western Esotericism. His academic credentials, however, exist alongside a parallel initiatory current. On New Year’s Eve 1989, together with six other magicians, he founded Dragon Rouge, an international Left-Hand Path order rooted in the Draconian Tradition. Since then, Dragon Rouge has expanded globally, with lodges and members primarily across Europe and the Americas.
Karlsson’s intellectual and magickal influences form a broad constellation: Sumerian mythology, alchemy, tantra, the Goetia, and the Qliphoth stand beside philosophical pillars such as Herakleitos, Plato, Plotinos, Friedrich Nietzsche, Martin Heidegger, and Henri Bergson. The Dragon Rouge curriculum also acknowledges the writings of Carlos Castaneda, Julius Evola, and Kenneth Grant. In a 2003 interview, Karlsson recounted experiencing spontaneous astral projections during childhood, long before interpreting them through an occult framework -experiences that later shaped his structured exploration of altered states.
Dragon Rouge describes itself as both occult order and esoteric academia, evoking the classical Greek ideal of a school devoted to cultivation of body and mind -the carnal and the spiritual united. Its Draconian system is structured around eleven degrees, drawing symbolic resonance from ancient mystery cults and even modern scientific speculation, such as the multidimensional models popularized by mathematician Benoît B. Mandelbrot. While humanity perceives reality in four dimensions- three of space and one of time -Dragon Rouge teaches that seven further dimensions remain hidden. Through what the order calls the most advanced Qliphothic initiation system, the adept symbolically traverses the gates of Lilith, Lucifer, and Leviathan to access these concealed strata of being.
The Order’s philosophy is universalistic: occult wisdom is encoded within global mythologies where forces labeled “darkness” grant illumination. The very name “Dragon” derives from the Proto-Indo-European root derk- -“to see.” In this sense, the Red Dragon represents awakened perception, an objective force both internal and external. Dragon Rouge studies and practices hexcraft, sorcery, erotomysticism, astral projection, lucid dreaming, and shadow integration -transforming what is repressed into creative potency rather than destructive impulse. The Order also maintains that it preserves rare ritual artifacts and esoteric texts of historical significance, reinforcing its identity as both initiatory path and living archive.
Karlsson’s cultural footprint extends beyond occult literature into musick. He served as principal lyricist for the symphonic metal band Therion between 1996 and 2010, writing the majority of the band’s lyrics during that era and contributing whispered vocals to the track “Ljusalfheim” on Secret of the Runes. Though never an official band member, his esoteric symbolism profoundly shaped its mythic aesthetic. He also fronted the symphonic death metal project Shadowseeds alongside fellow Dragon Rouge initiate Tommie Eriksson; the band’s lyrics reflected Draconian teachings and ritual themes before entering hiatus.
Among Karlsson’s literary works, Amongst Mystics and Magicians in Stockholm stands as the first volume in a trilogy chronicling both the emergence of Dragon Rouge and his personal initiatory path. Covering the formative years between 1989 and 1991, the book recounts pivotal experiences in Stockholm and on the island of Gotland during the occult revival of the 1990s. It also narrates his journey to Marrakesh, Morocco, where he describes receiving a prophetic mandate to construct a temple for the Red Dragon -a symbolic turning point in the Order’s mythos.
Lilith’s Cavern itself delves deeply into the Qliphothic tradition, presenting the Nightside not as mere inversion of the Sephiroth, but as an initiatory labyrinth of shadow forces that catalyze transformation. In Karlsson’s system, Lilith is not reduced to folkloric demonology but emerges as a gateway intelligence -a liminal current that tests and refines the adept through confrontation with desire, fear, and autonomy.
This reading thus serves not only as a literary presentation, but as an audible gateway into the Draconian worldview: scholarly yet initiatory, mythic yet methodical -a rare fusion of university lecture hall and subterranean temple.
Left Hand Path Classics: Encounter With The Dragon Reading,
Thomas Karlsson (English / Spanish HQ)
Encounter With The Dragon, Thomas Karlsson: In this evocative reading of Encounter with the Dragon, Thomas Karlsson guides the listener into the heart of the Draconian current that defines the initiatory system of Dragon Rouge. The text is not merely symbolic mythology, but a personal and esoteric account of confronting the Dragon as an inner and outer force -a primordial intelligence representing awakened perception, adversarial fire, and transformative shadow.
Karlsson presents the Dragon not as a folkloric beast, but as a metaphysical principle tied to chaos, gnosis, and the pre-cosmic depths. The “encounter” is both mystical and psychological: a descent into the hidden strata of the self where fear, power, and illumination converge. Through disciplined initiation rather than romantic fantasy, the Dragon becomes a catalyst for self-deification -the ignition of latent faculties beyond conventional spiritual frameworks.
This reading captures the essence of Karlsson’s work: scholarly yet visionary, structured yet abyssal -a call to face the Serpent-Dragon not as an external monster, but as the sovereign force coiled within.
Left Hand Path Classics: Dragon Rouge,
Thomas Karlsson (Swedish / Español HQ)
Dragon Rouge, Thomas Karlsson: Thomas Karlsson´s interview (early-90´s) when he was 23 years old and Dragon Rouge was a small group with just a few members. This interview was made for the Swedish show: “Taxi Documentär om Satanism”. In this context the order was wrongly placed (Chapter 3). Thomas Karlsson and Petra answer about the Dragon Rouge´s spiritual search, they recreate a ritual with Lilith and clarify some questions regarding an article published by the Swedish tabloid press.
Esta entrevista a Thomas Karlsson tuvo lugar a principio de los años 90, cuando él tenía 23 años y Dragon Rouge era una agrupación de apenas unos pocos miembros, para el programa sueco: “Taxi Documentär om Satanism”. En este contexto, se ha situado erróneamente a la Orden (capítulo 3). Thomas Karlsson y Petra responden acerca de la búsqueda espiritual de Dragon Rouge, recrean un ritual a Lilith y esclarecen algunas dudas con respecto a un artículo publicado en la prensa amarillista sueca.
Left Hand Path Classics: The Wickedest Man In The World,
Aleister Crowley (English HQ)
The Wickedest Man In The World, Aleister Crowley: A biographic video about the great Aleister Crowley.
Ritual Works: Lemegeton Secrets Revelated,
Carroll Runyon (English HQ)
Lemegeton Secrets Revelated, Carroll Runyon: The original tape: “The Magick Of Solomon” is a 75 minute video documentary written and narrated by anthropologist and ceremonial magickian, Carroll “Poke” Runyon, Magister of America’s oldest continually operating Magical Lodge, the Ordo Templi Astartes (O.T.A.).
The first part of the video offers a history of Western Magick, illustrated with graphics and displays, setting forth the author’s theory, based on his own research and experiments, that visions of spirits obtained by magickians in medieval times were subjective and hypnotic rather than hysterical hallucinations. Runyon holds that the practical technique for achieving this was the visual distortion which occurs when a person stares at his or her reflection in a dark mirror. This technique is demonstrated and visions are simulated. The relationship of the “72 Rebellious Spirits” contained in King Solomon’s legendary “Brass Vessel” to the Holy Angels who control them is explained and a hypnotic method for invoking these Angels into a Crystal Ball is demonstrated. According to the narrator, these two systems should be integrated for a proper spiritual balance.
The video climaxes with the presentation of a complete Goetia Evocation Operation, in full ceremonial regalia, summoning the spirit Astaroth (actually the Canaanite Goddess, Astarte) to visual appearance in the dark mirror on the Triangle of Art.
Left Hand Path Classics: Satanic Panic In 90´s Spain,
Gabriel Lopez De Rojas (Spanish/Español HQ)
Satanic Panic In 90´s Spain, Various: Video compiling a couple of interesting documentaries about destructive satanic cults in Spain during the ’90s. Both are quite sensationalist and presented from a Catholic perspective, but still interesting to watch. Enjoy -not all daemonic groups are like these!
Video que compila un par de interesantes documentales sobre sectas satánicas destructivas en España durante los 90. Ambos bastante sensacionalistas y desde una perspectiva católica, pero está bien verlos de todos modos. Disfrutad, porque no todos los grupos demoníacos son como estos.
Left Hand Path Classics: In The Name Of Satan,
Bob Larson (English HQ)
In The Name Of Satan, Bob Larson: Our dear Bob Larson presents “In The Name Of Satan” a sensationalist documentary part of the American “Satanic Panic” -another interesting piece of culture, and how society can polarize and even manipulate the facts and unknown traditions.
Left Hand Path Classics: In Satan´s Name? ,
Martin Bashir (English HQ)
In Satan´s Name? Martin Bashir: 90´s, After people like Bob Larson presents documentaries like “In The Name Of Satan” -a sensationalist anti-satanic doc.- some communicators begin to question the truth behind the testimonials.
Left Hand Path Classics: Law Enforcement Guide to Satanic Cults,
(English HQ)
Left Hand Path Classics: Law Enforcement Guide to Satanic Cults: Somehow the “Satanic Panic” is back in the news so there’s no better way to prepare yourself for the onslaught of Devil worshippers than by watching how the police trained for it in 1994. This video has it all. From very poorly drawn “satanic” graffiti to questionable satanic ritual reenactments. You’ll learn all the warning signs that your child is a Satanist (we guess wearing black and burning sage?) and which days you should avoid the woods so you don’t disrupt some type of blood ritual.
Left Hand Path Classics: Satanic Cults in ’90s Spain,
(Spanish / Español HQ)
Satanic Cults in ’90s Spain, Various: The end of the millennium crisis brought about many apocalyptic messengers that openly displayed their worship of forces culturally classified as occult or dark. But this type of cult has always existed. This documentary will revise the beliefs linked with satanism. We also focus our attention in sinister cases occurred lately in which the cult of devil is related to violent crime. People who have escaped from satanic sects will offer us an “impressive evidence”.
La crisis del fin del milenio hizo que se mostrasen ante la opinión pública gran número de mensajeros apocalípticos que parecían rendir culto a fuerzas culturalmente clasificadas como oscuras. Pero este tipo de cultos siempre han estado ahí. Este documental revisará las creencias vinculadas al satanismo a partir de una revisión histórica del fenómeno. También nos centraremos en siniestros casos acaecidos en la actualidad en los cuales el culto al diablo está relacionado con delitos de sangre. Personas que han escapado de sectas satánicas nos ofrecerán su “impactante testimonio”.
Left Hand Path Classics: Satanic Cults in ’90s Spain,
(English HQ)
Satanic Cults in ’90s Spain, Various: The end of the millennium crisis brought about many apocalyptic messengers that openly displayed their worship of forces culturally classified as occult or dark. But this type of cult has always existed. This documentary will revise the beliefs linked with satanism. We also focus our attention in sinister cases occurred lately in which the cult of devil is related to violent crime. People who have escaped from satanic sects will offer us an “impressive evidence”.
La crisis del fin del milenio hizo que se mostrasen ante la opinión pública gran número de mensajeros apocalípticos que parecían rendir culto a fuerzas culturalmente clasificadas como oscuras. Pero este tipo de cultos siempre han estado ahí. Este documental revisará las creencias vinculadas al satanismo a partir de una revisión histórica del fenómeno. También nos centraremos en siniestros casos acaecidos en la actualidad en los cuales el culto al diablo está relacionado con delitos de sangre. Personas que han escapado de sectas satánicas nos ofrecerán su “impactante testimonio”.
Left Hand Path Classics: When Satan Came To Town:
The Rochdale False Satanic Abuse Case (English HQ)
When Satan Came To Town: The Rochdale False Satanic Abuse Case: This superb BBC documentary in the Real Story series is the ultimate account of the infamous Rochdale Satanic Ritual Child Abuse Scandal where 17 children were snatched from their beds in dawn raids and then stolen from their parents by social services on the flimsiest of pretexts. Taken into care for no good reason other than the wicked prejudice of the key social workers involved this true story shows the dark side of social-work where vicious do-gooders are allowed to misuse their powers to pick on lower working class uneducated parents who are ill equipped to defend themselves against a purposefully complex system designed to rob them of their natural law rights as parents. This is required watching for every mother and father, to alert them to how easily ordinary folk can be dragged in to life-destroying tragedies.
Introduced and empathically narrated by Fiona Bruce it is arguably one of her best works. Containing actual interviews with the lifted children. now adults who can speak for themselves, having broken free of the hegemony of Social Services to tell the true story of how they were used as pawns in a test case to try to establish the existence of Satanic Ritual Child Abuse in the U.K. Their tale is one of inspiring human fortitude and courage against the inertia of the State and the duplicity of it’s unprincipled servants.
People who viewed this original BBC documentary in the full version were often reduced to tearful anger at the crass small-mindedness of obsessed social workers whose stupidity and mccametotownametotownaltreatment of the children in their care created a situation they afterwards dare not admit and so instead of apologizing they used the bloody-mindedness of the Family Court system to run the people they had persecuted into the ground.
Perhaps the most insane aspect of this scandal is that even though the police dropped the criminal case after several months because it became clear there was no case to answer; and even though a judge at a subsequent court hearing ruled that there was absolutely no abuse involved , ritual or otherwise; the social workers were allowed to continue to do their worst and pursued their victims ad infinitum. They ended up incarcerating a child in care, against it’s wishes and the wishes of the innocent parents for trumped up reasons which conveniently disabled them from publicly discussing their case. The Rochdale Social Services department held six year old David in care for TEN YEARS. Until he became sixteen when they had to let him go because he was then legally beyond their jurisdiction and they could detain him no further. As you will see when you view this program David is a broken young man, psychologically abused by social services who experimented on him with their extreme beliefs on SRA.
SAFF files show that there is hardly any accountability in social work and extremists get away with blunder after blunder. To underline this the program makes clear that the two social workers who broke rules to suit themselves and caused so much unnecessary suffering to the children whom they ‘lifted’ are still working in childcametotowncametotowncametotown care! For those of you who haven’t yet been able to make up your minds about whether so-called Satanic Ritual Child Abuse really exists this superb documentary will conclude the debate. Claims of SRA are a lie from start to finish.
“After a year long investigation the parents were proved to be completely innocent”
"I looked at the policeman and said. “What evidence have we got to say that any of this has gone on? He said, ‘None’.”-Rochdale Councillor Tony Heaford.
“At the end of all the evidence the conclusion is inevitable that neither these children nor their parents have been involved in any way with satanic ritual or organized abuse”
-Justice Brown, Family Court Judge, Rochdale Case.
“In the late 1980s and early 90s more than eighty cases of alleged Satanic Abuse were reported across Britain. Not one was ever proven to have any connection with satanic cults.”
-Fiona Bruce.
Because of lack of topicality it us unlikely that the BBC will ever re-broadcast this powerful hour long documentary. Due to the limitations on Youtube clips we have had to drastically edit that hour into a video which contains the factual aspects.
Left Hand Path Classics: Satanism, The Black Mass
(Spanish/Español HQ)
Satanism, The Black Mass: The typical narrative about “destructive” variants of satanic cults.
An interesting perspective on how a self-proclaimed “expert” from southern Spain perceives the phenomenon.
Left Hand Path Classics: Escaping Satans Web
(English HQ)
Escaping Satans Web: What the satanists don’t want you to know! 1987, just when you thought it was safe to leave the house, along comes a another Regan´s Era Satanic Panic Christian scare film.
Make sure you learn to recognize the warning signs like Heavy Metal, Dungeons And Dragons, shoplifting in candle shops, board games and the most dreaded of all “the 80’s Mullet”. Another gem of the 80´s “Satanic Panic”.
Sean Sellers´ testimonial (Featured in Bob Larson´s “In The Name Of Satan” Doc.) explains why he killed his parents and end up in the Death Row, all begun with “Dungeons and Dragons”. Satan made him do it and Jesus Christ, obviously, is the only way to “Salvation”.
